Call for chapters: The Present and Future of Music Law

Following the Present and Future of Music Law Conference held at the University of Central Lancashire last July, we are looking for additional chapters to include in a book proposal on the topic of the conference, with a particular focus on the current legal and business challenges posed by a morphing, transnational, mid-digital marketplace.

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ZINES – An international journal on amateur and DIY media

Launch : Issue #1 – April 2020

– ZINES is an international peer journal dedicated to studies of amateur and do-it-yourself media of any kind, from fanzines to webzines, perzines to science zines, artzines to poezines, etc.

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The Residents: Visionaries, Satirists, and Mythmakers

A themed issue of the journal Rock Music Studies.

The Residents are one of the most important bands in avant-garde / alternative music. With their first albums in the 1970s, they quickly established themselves as fierce critics of popular culture and as visionaries of new technologies and multimedia aesthetics. Since the 1970s, they have been committed to deconstructing the canon of popular music (with Meet the Residents, The Third Reich’n’Roll, Not Available, The Warner Bros. Album) and reconstructing American popular music (The King and Eye, God in Three Persons, Stars and Hank Forever). Reinventing the music of the avant-garde (Eskimo, Fingerprince, The Commercial Album) over the decades of their artistic career, the Residents also redefined the idea of the concept album (Mark of the Mole, Demons Dance Alone, The Voice of Midnight, The Ghost of Hope) and the genre of music videos (Freak Show, Gingerbread Man, One Minute Movies, Bad Day on the Midway). During their career they have also deconstructed the mythologies of popular culture, reinterpreting the music of the Beatles, Elvis, George Gershwin, James Brown, Hank Williams, Iron Butterfly, and the Rolling Stones–to name only a few. Consequently, by the turn of the twenty-first century, the Residents had extended the concept of the avant-garde and alternative music.

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Call for Participation: APME @ Edinburgh Napier University

July 26-29, 2020
Edinburgh Napier University, Scotland
Deadline for Applications/proposals: 15th of November 2019

The Association for Popular Music Education is pleased to announce a call for participation in its first-ever European conference, Breaking Down Barriers, which will be held at Edinburgh Napier University in Scotland. This conference will take place the week before the International Society for Music Education’s (ISME) biennial conference in Helsinki, Finland. Edinburgh is a great stopping point on the way to Helsinki, and this conference provides the opportunity for Popular Music Education researchers to come together in a specialised environment.

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SOUND-IMAGE 2019: Exploring sonic and audio-visual practice

CALL FOR SUBMISSIONS
9-10 November 2019, University of Greenwich

This colloquium explores the relationship between sounds and images, and the images which sounds can construct by themselves.

Through a series of complementary strands – talks, screenings, loudspeaker orchestra concerts – we bring together artists and experts to investigate sound and sound-image phenomena.

We are delighted to present the following call for works, seeking submissions that explore the diverse areas of sound / image practice.

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Oxford Handbook of Global Popular Music

Invitation for expressions of interest
Edited by Simone Krüger Bridge.  

The Handbook offers an authoritative and state-of-the-art survey of current thinking and research in studies of global popular musics from different parts of the world. The chapters will be written by leading international figures from ethnomusicology, popular music studies, and anthropology to give critical examinations of the progress and direction of debates surrounding global popular music. The Handbook captures the vibrant, dynamic, and diverse approaches that characterize popular music across the world. The volume features a diversity of topics and approaches, structured into five conceptual parts: GLOBAL CAPITALISM, GLOBAL GENRES, MIGRATION, IDENTITY, TECHNOLOGY. The purpose of the organization is to give a comprehensive review of achievements by leading scholars in the field of global popular music to date, and to contribute to an understanding of what global popular music might become in future, charting new areas that are likely to define studies of global popular music in the coming decades.

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If You Could Read Our Minds: Essays on Gordon Lightfoot

Edited by Melissa Avdeeff (Coventry University) and Scott Henderson (Trent University Durham GTA)

Proposals are sought for an interdisciplinary, edited collection focused on the work and career of Canadian singer-songwriter Gordon Lightfoot.

Lightfoot’s career spans more than six decades, beginning with his emergence in the folk rock scene in Toronto’s Yorkville in the 1960s through to continued touring in the present decade. Lightfoot’s success has bridged a number of genres, including folk, pop, country, rock and a range of crossovers. A string of Top 40 hits in the 1970s cemented Lightfoot’s international reputation, both as a singer and songwriter. In addition to his own recordings, Lightfoot’s songs have also been recorded and performed by an amazing array of diverse artists., across a vast range of musical genres.

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Media Industries 2020: Global Currents and Contradictions

16-18 April 2020   King’s College London

media-industries.org

Second international Media Industries conference, hosted by the Department of Culture, Media and Creative Industries, King’s College London

Following the success of Media Industries: Current Debates and Future Directions (2018) we are pleased to announce the next Media Industries conference will take place in April 2020.

Media Industries 2020 (MI2020) maintains an open intellectual agenda, inviting papers, panels or workshops exploring the full breadth of media industries, in contemporary and historical contexts, and from all traditions of media industries scholarship. MI2020 will therefore provide a meeting ground for all forms of media industries research. Read the rest of this entry »

Gender and Creativity in Music Worlds

MusicaFemina International Symposium, Budapest
8-9 January 2020

As part of its Hungarian event series, MusicaFemina International is organizing a symposium and workshop in Budapest on 8-9 January 2020. The initiative, involving Austria, Hungary, Slovenia and Germany, is primarily aimed at creating the conditions for more balanced relations of gender in the various spheres and institutions of music production.

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Sonic Memory one-day conference

Sonic Memory is a one-day IMR conference, Thurs Sept 5th, at the University of Liverpool, with presentations by Prof. Ros Jennings and Prof. Helmi Järviluoma-Mäkelä. The day will call upon researchers from all areas of music studies to share methodological approaches to and understandings of music, listening and memory, including those from sonic studies, music psychology, music ethnography, music therapy, popular music studies, and sociology. In doing so, the symposium has the following three aims:

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