Music and the Moving Image Conference XVII

ONLINE Conference at New York University: Thursday, May 27th – Sunday, May 30th

The annual Music and the Moving Image Conference encourages submissions from scholars and practitioners that explore the relationship between the entire universe of moving images (film, television, streaming, video games, and live performances) and that of music and sound through paper presentations. We encourage submissions from multidisciplinary teams that have been pooling their knowledge to solve problems or discover a new perspective regarding music and moving images.

Read the rest of this entry »

Special edition of Popular Music History on the impact of COVID on popular music history and heritage

As the impact of the COVID crisis continues to be felt across the world, it is becoming increasingly apparent that it represents a significant rupture in how music will be experienced, written about and theorised. This special edition of Popular Music History is seeking quick-response contributions of up to 5000 words that explore what COVID will mean for how we write about, research, collect and exhibit popular music’s past. Potential topics include, but are not limited to:

• Historicising COVID: how the dramatic break caused by COVID has given ways of engaging with music that were taken for granted only months ago a sense of ‘pastness’ and what this means for how we write about them
• The effect of lockdowns and reduced population mobility on institutions such as museums that exhibit or collect music-related materials
• Changing online practices of documentation of music scenes by participants
• Methods of documentation of the many online activities that artists have turned to as live gigs have become difficult or impossible, and how a historical understandings of ephemerality and liveness may be affected by new modes of performance necessitated by COVID
• Ways in which, rather than a significant break from the past, the impact of COVID on music might be part of an ongoing sense of ‘crisis’ in the music industries, and how the historical responses to various crises might inform what happens in the current circumstances
• Considerations of how music heritage tourism will be impacted, and how practices in this area might be reconfigured
• What opportunities exist for using the crisis to reflect differently on ‘taken for granted’ aspects of popular music’s past.

Read the rest of this entry »

New Approaches to Music and Sound

Journal of the Gilded Age and the Progressive Era
Guest Editors: David Suisman and Rebecca Tinio McKenna
 
If new book series and journal special issues are any indication, over the last decade, there has been a surge of interest in the musical and sonic worlds of the past. Scholars of music, sound studies, disability studies, transnational and postcolonial studies, cultural history, history of the senses, and others have been expanding our historical understanding of soundscapes, music cultures, aurality, acoustics, and other aspects of the work sound does in the world. New scholarship is connecting music and sound with politics and social movements, capitalism and commerce, the formation of racial, gender, and class identity and difference, the history of technology and of natural environments, and more.
 
Read the rest of this entry »

Sonic Engagement: The ethics and aesthetics of community engaged audio practice.

Call for Chapter Contributions

Please see below for editorial contacts and instructions for initial submissions.

Edited by Sarah Woodland (Faculty of Fine Arts and Music, University of Melbourne, Australia) and Wolfgang Vachon (School of Social and Community Services, Humber Institute of Technology and Advanced Learning, Canada)

Due for publication in early 2022

About the book
This edited collection aims to investigate the use of sound and audio production in community engaged participatory arts practice and research. The popularity of podcast and audio drama, combined with the accessibility and portability of affordable field recording and home studio equipment, makes audio a compelling mode of participatory creative practice. Working in audio enables a flexible approach to participation, where collaborators in sites such as prisons, schools, and community settings, can engage in performance and production in flexible ways, while learning valuable skills and producing satisfying creative outcomes. Audio works also allow projects to reach wider audience (and for longer) than an ephemeral performance event, extending the potential for diverse perspectives to be heard beyond prison walls, across borders, and between different communities and cultures.

Read the rest of this entry »

New Approaches to Music and Sound

SPECIAL ISSUE OF THE JOURNAL OF THE GILDED AGE AND PROGRESSIVE ERA
Guest Editors: David Suisman and Rebecca Tinio McKenna

If new book series and journal special issues are any indication, over the last decade, there has been a surge of interest in the musical and sonic worlds of the past. Scholars of music, sound studies, disability studies, transnational and postcolonial studies, cultural history, history of the senses, and others have been expanding our historical understanding of soundscapes, music cultures, aurality, acoustics, and other aspects of the work sound does in the world. New scholarship is connecting music and sound with politics and social movements, capitalism and commerce, the formation of racial, gender, and class identity and difference, the history of technology and of natural environments, and more.

Read the rest of this entry »

Musical Biopics and Musical Documentaries from the Scandinavian countries 

Call for contributions to a Journal of Scandinavian Cinema In Focus section highlighting Musical Biopics and Musical Documentaries from the Scandinavian countries

This is a call for short subject contributions (2000-3000 words) focusing on how Scandinavian film and television have presented musicians, singers, bands and orchestras in biopics and documentaries. We welcome submissions that – after a quick theoretical introduction and concise contextual background – offer discussions of topics such as:

Read the rest of this entry »

IASPM Journal

The International Association for the Study of Popular Music has its own journal: IASPM Journal. The journal is a great opportunity for you to publish your work, and it is exclusive for all IASPM members. It is an Open Access (doubly blind) peer reviewed journal, which is registered with Scopus, the Directory of Open Access Journals (DOAJ) and the European Reference for Humanities and Social Sciences (ERIH Plus).

Read the rest of this entry »

Narrating Popular Music History of the GDR: A Critical Reflection of Approaches, Sources and Methods

Editors: Beate Peter (Manchester Metropolitan University, UK) and Michael Rauhut (University of Agder, Norway)

Submissions are invited for a special edition of Popular Music History that aims to assess the sources, approaches and methods with which East German popular music is written.

Background

Histories of German popular music generally focus on examples of West German music which were commercially successful and/or are considered to be aesthetically and musically ground-breaking. Bands such as Kraftwerk, Can, Neu! or the Scorpions are the subject of many academic as well as non-academic publications, and they are considered as canonical as genres such as Krautrock or Neue Deutsche Welle. East German musicians or movements, on the other hand, tend to be overlooked, as do specific artistic forms of expression which were developed in response to authoritarian leadership in the socialist German Democratic Republic (GDR). The examination of a relationship between the GDR and the arts is almost altogether absent from a pan-German popular music history.

Read the rest of this entry »

Popular Music Ethnographies: Open Call for Riffs Vol 5 Issue 2

Guest Editors: Shane Blackman and Robert McPherson

This special issue of Riffs on Popular Music Ethnographies aims to bring together ethnographic writing from any discipline, theoretical perspective or methodological approach. We welcome submissions from writers from academic and non-academic backgrounds. We also encourage short contributions; these could include written, visual, and musical elements and/or interrogate traditional and experimental forms of communication of ideas and arguments. We also welcome collaborations between writers, poets, musicians, composers and visual artists. In-keeping with the Riffs aim, we hope to include work from a variety of contributors.  See our website for previous publications and journal issues – www.riffsjournal.org

Read the rest of this entry »

Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19

Call for chapters for an edited volume to be submitted to Springer’s Music Business Research Series

Editors
Guy Morrow (University of Melbourne)
Daniel Nordgård (University of Agder)
Peter Tschmuck (University of Music and Performing Arts, Vienna)

COVID-19 had, and is having, a global impact on health, communities and the economy. As a result of COVID-19, music festivals, gigs and events were cancelled or postponed across the world. This directly affected the incomes and practices of many artists and the revenue for many entities in the music business. Despite this crisis however, there are pre-existing trends in the music business – the rise of the streaming economy, technological change (virtual and augmented reality, blockchain etc.), new copyright legislation etc. Some of these trends were impacted by the COVID-19 crisis while others were not.

Read the rest of this entry »