Posted: March 6th, 2013 | Filed under: Calls for Papers | Comments Off on No Sir, I Won’t: Reconsidering the Legacy of Crass and Anarcho-punk
Friday 28th June 2013
Organised by Oxford Brookes’ Popular Music Research Unit (PMRU) in association with the Network of Punk Scholars (NPS).
20 years since legendary anarcho-punk group Crass released their highly challenging LP Yes Sir, I Will, this symposium will explore the impact and long-lasting legacy of Crass and anarcho-punk. Crass are widely perceived as ‘reluctant leaders’ of the anarcho-punk scene; an ironic title for self-proclaimed anarchists, of course. The central question, for this study day, is: were Crass and anarcho-punk scene significantly effective politically or, alternatively, was the anarcho-punk scene surreptitiously more about clothes, music, image and ‘symbolic rebellion’ (to use Adorno’s term)?
Read the rest of this entry »
Posted: February 13th, 2013 | Filed under: Calls for Papers | Comments Off on Music, Music Making and Neoliberalism
Call for Papers: Special Issue of Culture, Theory and Critique
Music, Music Making and Neoliberalism
Theorizing the relationship between music and capitalist processes has been an ongoing concern for scholars in a number of disciplines. Marx’s passing characterization of music as a form of unproductive labor, at worst a form of labor in a process of transition, would set the stage for much theorizing regarding the fate of music and music making under capitalism. Much of the music-related scholarship dealing with capitalism has been primarily interested in the production, consumption and circulation of various musical texts (pieces of music, musical genres, specific artists or bands, and so on). Critics have also addressed the broader implications of this dynamic to the act of music making, in one way or another, suggesting that music’s ability to critique, resist or cope with capitalism was predicated in its ability to remain at least partially independent from processes of mass production and consumption. Such approaches emphasize the notion that music’s engagement with capitalism begins at the moment when these texts and practices enter the marketplace, along the way complicating but not necessarily questioning whether music remains a form of unproductive labor, particularly in the context of late capitalism.
Read the rest of this entry »
Posted: January 20th, 2013 | Filed under: Calls for Papers | Comments Off on Popular Music and Society – Special Issue on The Sex Pistols
Submissions are invited for a special edition of Popular Music and Society that examines the legacy of one of punk rock’s most infamous and seminal bands, the Sex Pistols. Despite their brief initial incarnation (1975-1978), the Sex Pistols profoundly influenced punk music and culture and, in Greil Marcus’s words, “did so much to make the world a richer, more abstract, more contingent place [and in doing so] raised the stakes of what people see as art.”
Read the rest of this entry »
Posted: December 18th, 2012 | Filed under: Calls for Papers | Comments Off on Ludomusicology Conference 2013
12–13 April 2013, University of Liverpool Challenges and Innovations http://www.ludomusicology.org
The Ludomusicology research group will be hosting a two day conference on video game audio to take place on the 12th and 13th of April, 2013 at Liverpool University. Building upon the foundation of last year’s successful RMA Study Day, the conference will include research papers and discussion workshops.
We are seeking proposals for papers on the topic of video game music and sound. Papers may contain interdisciplinary import of any type. Paper proposals are welcome from both academics and those working in the video game industry.
Read the rest of this entry »
Posted: December 4th, 2012 | Filed under: Calls for Papers | Comments Off on IASPM Journal: Special Issue on Popular Music Performance
Submission deadline: 1 March 2013
Music performance forms part of ongoing debate amongst IASPM members, leading to innovative research that addresses mediation and embodiment; spectacle and immersion; technology and music.
IASPM Journal, the Journal of the International Association for the Study of Popular Music, wishes to provide a platform for these debates with a special issue on popular music performance for publication in 2013.
Read the rest of this entry »
Posted: September 18th, 2012 | Filed under: Calls for Papers | Comments Off on IASPM@Journal: Special Issue on Popular Music Journalism
Music journalism forms part of ongoing debate amongst IASPM members, in terms of music criticism, industry interests and identity politics.
IASPM@Journal, the Journal of the International Association for the Study of Popular Music, wishes to provide a platform for these debates with a special issue on popular music journalism for publication at the end of 2013.
Drawing on the extensive local and global expertise of our cross-cultural membership, we invite papers that can offer comparative insights into the relationship of music journalism to specific music genres, different media formats and critical approaches.
Read the rest of this entry »
Posted: September 17th, 2012 | Filed under: Calls for Papers | Comments Off on Cultural Translation in Popular Music
University of Central Lancashire, Preston, 12-13 April 2013
Part of LIVE! Festival in Preston
Popular music is known for its hybrid and transcultural character. It feeds on earlier styles, cultural artefacts and different art forms and travels from country to country. At the same time, it also affects other art forms, such as cinema and advertising. The proposed conference seeks to discuss the role of cultural translation in the production, dissemination and reception of popular music, in both a historical and theoretical context. Topics proposed can include but not be limited to the following:
Read the rest of this entry »
Posted: September 10th, 2012 | Filed under: Calls for Papers | Comments Off on Christian Congregational Music: Local and Global Perspectives
Ripon College Cuddesdon, Oxford, United Kingdom
1-3 August 2013
Congregational music-making has long been a vital and vibrant practice within Christian communities worldwide. Congregational music reflects, informs, and articulates local convictions and concerns as well as global flows of ideas and products. Congregational song can unify communities of faith across geographical and cultural boundaries, while simultaneously serving as a contested practice used to inscribe, challenge, and negotiate identities. Many twenty-first century congregational song repertories are transnational genres that cross boundaries of region, nation, and denomination. The various meanings, uses, and influence of these congregational song repertoires cannot be understood without an exploration of these musics’ local roots and global routes.
Read the rest of this entry »
Posted: September 5th, 2012 | Filed under: Calls for Papers | Comments Off on International Reggae: Traditional and Emerging Expressions in Popular Music
University of the West Indies, Mona, Kingston, Jamaica
February 14-16, 2013
The Institute of Caribbean Studies and the Reggae Studies Unit at the University of the West Indies, Mona announce the third International Reggae Conference (formerly Global Reggae Conference) under the theme “Traditional and Emerging Expressions in Popular Music”.
The conference and associated events will consolidate and disseminate knowledge on Jamaican music culture and associated music forms. This conference will also reflect on Jamaica’s attainment of 50 years and beyond and celebrate the 68th anniversary of the birth of Jamaica’s premier cultural ambassador, the Hon. Robert Nesta Marley, with the hosting of the Annual Bob Marley Lecture, in affiliation with the Bob Marley Foundation. In addition, IRC2013 will highlight the international spread of Reggae music and culture in affiliation with Europe’s acclaimed Rototom Sunsplash festival as it celebrates 20 years of showcasing Reggae Lifestyle and Culture.
Read the rest of this entry »
Posted: August 31st, 2012 | Filed under: Calls for Papers | Comments Off on ‘This is the Modern World’ – For a Social History of Rock Music
International Conference
University Charles-de-Gaulle Lille 3 (Lille, France)
In Anglo-American countries, the history of rock music has been institutionalized since the 1970s, notably in musicology and cultural studies departments. In France, on the contrary, it has been considered, until recently, as a rather minor subject, abandoned to journalists and amateurs. Although French musicologists, sociologists and specialists of British and American literatures and civilizations did produce a large amount of work on popular music, French historians encountered rock and roll mostly by chance, while working on the history of youth or the history of the record industry. Bertrand Lemonnier’s pioneering work (L’Angleterre des Beatles. Une histoire culturelle des années soixante, Seuil, 1995) remained for a long time an exception. Things are beginning to change : Thesis and master’s papers on the history of rock music are being defended, and history departments are more and more interested in these questions.