Posted: January 12th, 2018 | Filed under: Calls for Papers | Comments Off on To Each Their Own Pop: Music, Cinema and Television in Europe in the Period of the Youth Movements (1960-1979)
Call for Essays: Cinéma&Cie, no. 31 – Special issue edited by Massimo Locatelli, Alessandro Bratus and Miguel Mera
The scope of this issue is to gather papers related to a decisive period in the development of audiovisual media in contemporary Europe: the 60’s and 70’s are linked with different patterns of economic growth and consumption across different countries, but nevertheless related to the diffusion of television and the new technologies in the record industry, from both the point of view of production and reproduction. Such changes determined the emergence of new forms of expression, media aggregation and consumption behaviors with respect to the past.
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Posted: January 10th, 2018 | Filed under: Calls for Papers | Comments Off on Reggae Innovation and Sound System Culture
SOUND SYSTEM EXHIBITION LAUNCH, MARCH 21st 2018
INTERNATIONAL CONFERENCE AND MUSIC EVENTS, APRIL 4 & 5th 2018 BIRMINGHAM CITY UNIVERSITY, BIRMINGHAM UK.
Birmingham City University and The University of West Indies are delighted to announce a forthcoming international conference on reggae culture and sound system innovation, and give notice of a forthcoming call for conference papers. Information on submission processes will be published in December.
The conference will be hosted in The Royal Birmingham Conservatoire at BCU, with its world-leading concert venues and conference facilities. The conference will also allow you entry to a number of planned reggae events and performances.
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Posted: January 10th, 2018 | Filed under: Calls for Papers | Comments Off on Participatory Approaches to Music & Democracy
The conference isaScience 2018 is part of isa, the International Summer Academy of the mdw – University of Music and Performing Arts Vienna, Austria.
https://www.mdw.ac.at/isa/isascience
Conference date: 10–14 August 2018
Conference venue: Hotel Marienhof, Reichenau an der Rax, Austria
Keynote: David Hesmondhalgh, Professor for Media, Music and Culture, University of Leeds, UK
Organisers: Dagmar Abfalter, Marko Kölbl, Rosa Reitsamer, Fritz Trümpi
Over the last few decades, a rich body of literature has explored how individuals and groups use music as a resource to achieve social, cultural and political participation and to bring about social change in society.
Studies have also investigated music’s use by political groups and parties in the past and present that impose
authoritarian, neoliberal or even fascist political ideas. Finally, research is concerned with the promise and
myth of democratization through technology in regard to music production, distribution and reception/appropriation.
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Posted: January 9th, 2018 | Filed under: Calls for Papers | Comments Off on El oído pensante
Volume 6 (No. 2, 2018)
The aim of this biannual peer-reviewed online journal of free access is to promote debate on theoretical, methodological and epistemological dilemmas faced by different kind of music research. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to analyzing particular cases will not be accepted. However, it is expected that authors bring some cases into the text in order to support their main ideas. Submission guidelines in:
http://ppct.caicyt.gov.ar/index.php/oidopensante/about/submissions#authorGuidelines.
Papers in Spanish, Portuguese and English will be accepted by March 31, 2018.
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Posted: January 4th, 2018 | Filed under: Calls for Papers | Comments Off on 49th Annual Conference of IASA
1-4 October 2018, at the Institute of African Studies (IAS), University of Ghana, Accra, Ghana.
Conference theme: Access and Accessibility – Archival Policies and Barriers in the Age of Global Information Exchange
Open and equal access to information is in high demand, yet may be impeded by social, cultural, and economic barriers. The question of access at the same time encourages discussions on the technical, legal, and practical modes of accessibility.
The programme committee for the IASA 2018 conference invites proposals focused on the prospects and limitations of global and local access and accessibility to audiovisual archives, as well as on issues of discovery, care, preservation and dissemination of our sound and audiovisual heritage.
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Posted: January 4th, 2018 | Filed under: Calls for Papers | Comments Off on EUPOP 2018
Charles University, Prague, July 24th – 26th, 2018
Individual paper and panel contributions are welcomed for the seventh annual international conference of the European Popular Culture Association (EPCA), to be held at the Charles University, Prague (Celetná 20), July 24th – 26th, 2018.
EUPOP 2018 will explore European popular culture in all its various forms. This includes, but is by no means limited to, the following topics: European Film (past and present), Television, Music, Costume and Performance, Celebrity, The Body, Fashion, New Media, Popular Literature and Graphic Novels, Queer Studies, Sport, Curation, and Digital Culture. A special emphasis this year will be on the idea of European Identity in all its diversity.
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Posted: December 22nd, 2017 | Filed under: Calls for Papers | Comments Off on The Institute of Registered Music Teachers New Zealand Annual Conference
21st – 25th January 2019
Otago University, St Margaret’s College, Dunedin, New Zealand
Southern Themes and Variations
The Institute of Registered Music Teachers New Zealand Annual Conference January 2019 invites participants to consider the challenges, present and future, of teaching music in the twenty-first century. At a time when music may be marginalised through cultural shifts and changes in educational priorities, how can the music teacher both adapt to and remain relevant within this new environment? What can teachers at different levels (primary through tertiary) and in different contexts (private tuition vs. itinerant vs. institutions) learn from one another? How are decisions made at higher educational levels affecting teaching practices on a day-to-day basis? With these questions as springboards, we particularly welcome submissions that address, directly and indirectly, the following themes:
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Posted: December 12th, 2017 | Filed under: Calls for Papers | Comments Off on Popular Culture Association of Canada (PCAC) 8th Annual Conference
May 3-5, 2018
The eighth annual Conference of the Popular Culture Association of Canada will be held at Brock University, St. Catharines, Ontario, Canada from Thursday, May 3 to Saturday, May 5, 2018.
We invite proposals for papers and/or panels on theories of popular culture, research methods in popular culture, the teaching of popular culture, forms and genres of popular culture, and any epiphenomena of popular culture, past or present. We also invite presentation and exhibition proposals from visual and multimedia artists whose work engages with popular culture.
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Posted: December 12th, 2017 | Filed under: Calls for Papers | Comments Off on Resonating Occupation
Date: Friday, 11 May 2018
Location: The Trent Building, University Park Campus, University of Nottingham, UK
“Resonating Occupation” will be the second workshop held under the ERC-funded Cultures of Occupation in Twentieth Century Asia (COTCA) project at the University of Nottingham. You can find more information at: https://www.nottingham.ac.uk/research/groups/cotca/index.aspx
This workshop will bring together scholars from multiple disciplines working at the nexus of sound, music, and foreign occupation—here defined broadly to include studies of colonialism, imperialism, conflict and war. While presenters are encouraged to discuss their current work in these fields, it is also expected that presentations will enable wider conceptual, methodological and theoretical discussions which will be of interest to participants working in different disciplinary and geographic contexts. Discussion at the workshop will revolve around the following questions.
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Posted: December 12th, 2017 | Filed under: Calls for Papers | Comments Off on Edinburgh German Yearbook 13: Music in Politics / Politics in Music
Edited by Siobhán Donovan (University College Dublin) and Maria Euchner (University of Edinburgh)
Music and politics have a long history of joining forces, creating powerful results, and enriching and influencing one another along the way. Not only is music often employed for political purposes, but politics can provide composers and musicians with a rich tapestry of material informing their musical explorations.
Music was arguably instrumental in shaping German identity and continues to play a role in the German national imagination today. It has been used for both patriotic and nationalistic purposes – the line separating the two often being very fine – and is manipulated by specific political parties and by musicians to convey political messages and convictions both to the left and the right of the political spectrum. The turbulent history of the German national anthem, and the fact that it is not mentioned in the Grundgesetz, is also testament to the emotional charge that can result from marrying music and politics. During times of war, music – classical, as well as popular – played an important role, both at home and at the front, and was frequently employed as a motivational force, a propaganda tool, or a weapon. Music can create a sense of identity and belonging, and is able to trigger memories that may be either welcome or disturbing.
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