Posted: March 10th, 2020 | Filed under: Calls for Papers | Comments Off on Urban Nostalgia: The Musical City in the 19th and 20th Centuries
EHESS, Paris, 105 boulevard Raspail, Salle 13
July 3, 2020
Call for papers – deadline 6 April
https://www.ehess.fr/en/node/16865
The aim of this workshop is to explore space through music, approaching the history of the city via the notion of nostalgia. Often described as a form of homesickness, nostalgia is, by definition, the feeling that makes us wish to repossess or reoccupy a space. Such spaces appear to us as both near and distant, tangible and remote, and it seems that attempts at reclaiming them are frequently musical in nature. We know, for instance, that particular compositions have played important roles in helping people to navigate or mitigate a sense of displacement. In these circumstances, affective experiences may be bound up with trauma or joy, as is the case of song during wartime or musical imaginaries among migrants. Under other conditions, we might identify a ‘second-hand nostalgia’ in the guise of a musically-inflected tourism that seeks to reactivate (for pleasure and/or profit) the historical aura of an urban site. What are we to make of the abundance of personal, inter-personal, and propositional episodes that posit music as some kind of a bridge to the urban past?
Read the rest of this entry »
Posted: March 6th, 2020 | Filed under: Calls for Papers | Comments Off on The production of urban ambiances for tourist consumption in the contemporary city
Call for chapters for an edited volume to be submitted to Routledge’s Ambiences and Atmospheres Series or Routledge Advances in Tourism and Anthropology Series
Editors:
Iñigo Sánchez (Universidade Nova de Lisboa)
Daniel Malet Calvo (ISCTE, University Institute of Lisbon)
Daniel Paiva (Universidade Nova de Lisboa)
This book seeks to analyze the impact of tourism on the urban environment, focusing on the concept of “ambiance” as a tool to explore the physical regeneration and sensory transformation of contemporary touristic places.
Read the rest of this entry »
Posted: March 5th, 2020 | Filed under: Calls for Papers | Comments Off on Heroes, Canons, Cults. Critical Inquiries
isaScience 2020 from 12-16 August 2020
Conference venue: Hotel Marienhof, Hauptstraße 71-73, 2651 Reichenau an der Rax, Austria
Organisers of isaScience: Dagmar Abfalter, Marko Kölb, Rosa Reitsamer, Fritz Trümpi
Coordinators: Karoline Feyertag, Slavomíra Martišková
Contact: [email protected]
Further information: mdw.ac.at/isa/isascience
isaScience 2020 focuses on critical perspectives on heroic imaginations, cultic actions and the formation and maintenance of canons. Across musical styles and cultural spheres, heroes, cults and canons contribute to the creation of normative and exclusionary and even violent settings, dictating what ears and eyes should deem adequate and valuable. Likewise, heroisation, cultification and canonisation define what remains unheard, unseen and regarded as unworthy.
Read the rest of this entry »
Posted: March 5th, 2020 | Filed under: Calls for Papers, IASPM Conferences | Comments Off on Regional experiences and external influences: reclaiming identities by popular music in the digital era
Nicolaus Copernicus University in Toruń and International Association for the Study of Popular Music
Toruń, Poland June 18-20, 2020
Conference website: https://iaspm2020torun.wixsite.com/website
The main objective of the conference is to exchange the experiences of studying popular music regional scenes. Such panorama tends to functionally and structurally reflect the specific and diversified character of cultural regionalism itself, including music and its social functions. We shall examine local popular music scenes in three varied but overlapping perspectives located mainly in the fields of musicology, sociology, anthropology, literary studies, cultural studies, political science, but we do not limit the academic areas of research. Thus, the experts of the enumerated fields covering the research on popular music are welcome.
Read the rest of this entry »
Posted: March 2nd, 2020 | Filed under: Calls for Papers | Comments Off on Music Production Education Conference 2020 – Reflecting the Future
EXTENDED CALL DEADLINE 03/04/2020
Leeds Beckett University, Leeds, UK
Thursday 14th – Friday 15th May 2020
www.musicproductioneducation.co.uk
MPEC 2020 is the second conference for the study of Music Production & Technology pedagogy. MPEC seeks to provide a forum for the discussion and analysis of teaching and learning in music production & technology in Further and Higher Education. The conference offers a forum for lively debate and stimulating presentations that address some of the issues of contemporary music production education within the broader context of the arts sector, research and professional communities.
Read the rest of this entry »
Posted: March 1st, 2020 | Filed under: Calls for Papers | Comments Off on SMA Theory and Analysis Graduate Students Conference
25th and 26th April 2020
City, University of London
*Submissions very welcome from ethnomusicologists*
The Society for Music Analysis’s annual Theory and Analysis Graduate Students (TAGS) Conference will be hosted by the Department of Music at City University on Saturday 25 and Sunday 26 April, 2020. The event provides a supportive and friendly environment in which postgraduates can gain experience in presenting their work and meet fellow researchers. Participants who do not wish to give a paper are also very welcome to attend.
Read the rest of this entry »
Posted: February 26th, 2020 | Filed under: Calls for Papers, IASPM Conferences | Comments Off on Transformational POP
Transitions, Breaks, and Crises in Popular Music (Studies)
4th Biennial IASPM D-A-CH Conference, 22–24 October 2020
Paderborn University/Germany, Faculty of Humanities and Arts, Department of Music – Popular Music and Media
Organizational Committee: IASPM D-A-CH Executive Committee and Advisory Board + Jun.-Prof. Dr. Beate Flath, Prof. Dr. Christoph Jacke, Manuel Troike (Local hosts)
Pop music cultures, in their entire breadth, are seismographs of social, political, economic, ecological, media, artistic, and technological transformations. In and through them, fields of tensions, disruptions, and lines of conflict become not only visible, audible and perceptible, but also communicable and thus, negotiable. Economic and ecological crises, social structural changes, political shifts, communicative-media discourses, atmospheric moods, and disturbances of the most diverse kind cannot be appreciated in isolation from specific sounds, performances, lyrics, images, stars, genres, etc. Therefore, these are always changing in the process: pop music cultures transform and are themselves transformed. “Pop is transformational, always. It is a dynamic movement in which cultural materials and its social environments mutually reshape each other, crossing previously fixed boundaries: class boundaries, ethnic boundaries or cultural boundaries [own translation].“ (Diedrich Diederichsen, Pop – deskriptiv, normativ, emphatisch (1996). In: Charis Goer, Stefan Greif, Christoph Jacke (Eds.): Texte zur Theorie des Pop, 2013: 188)
Read the rest of this entry »
Posted: February 24th, 2020 | Filed under: Calls for Papers | Comments Off on Innovation in Music 2020
Stockholm, 03-05 December 2020
Music Production: International Perspectives
Innovation in Music 2020 will be held at the Royal College of Music, Stockholm, Sweden on 03 – 05 December 2020. A Routledge conference proceedings book will be published in 2021.
The titled theme is “Music Production: International Perspectives” and whilst contributions aligning to this are encouraged, it is not exclusive; the conference scope remains multi-disciplinary as below.
Read the rest of this entry »
Posted: February 13th, 2020 | Filed under: Calls for Papers | Comments Off on 1st Queer Forum of the LGBTQ+ Music Study Group
Friday 3rd April 2020, University of York
https://www.lgbtqmusicstudygroup.com
Invitation to Participate
The LGBTQ+ Music Study Group hereby launches a new biennial initiative: “Queer Forum”. This day-long event aims to catalyse new ways of thinking, being and doing music scholarship in and beyond the academy. As José Esteban Muñoz writes, “[w]e may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality” (2009, 1). Inspired by queer and feminist theorists – especially bell hooks and Sara Ahmed – who are dissatisfied with the present, who wrestle with existing institutional structures, and who propose new modes of scholarship and education, we entice you to join us in radical academic experimentation in search for new horizons and potentialities.
Read the rest of this entry »
Posted: February 11th, 2020 | Filed under: Calls for Papers | Comments Off on Transcultural Hip-Hop: Constructing and Contesting Identity, Space, and Place in the Americas and Beyond
University of Bern, Switzerland, October 30 – 31, 2020
Almost fifty years after its birth, hip-hop is considered a truly global phenomenon that combines elements of uniformity with local symbols and expressions regarding musical forms, lyrics, performances, and social content. It can be said that within the US context, hip-hop emerged during the 1970s as an African American subculture. However, from its very beginning hip-hop has been a highly transcultural and hybrid phenomenon that integrates various musical elements and forms of cultural expression. In addition to African American popular culture, for example, Caribbean and Latin American music styles, language and dance played a vital role in the formation and development of hip-hop on both coasts of the US. The entanglement of diverse cultures and diasporas on the evolution of hip-hop as a music and as a movement, in the urban settings of New York and Los Angeles, for example, encourages us to think of these different musical, cultural, and social traits in more fluid or hybrid terms.
Read the rest of this entry »
